Få hela storyn
Starta din prenumeration

Prenumerera

Rörligt

Öppet brev till streamingtjänsterna: ”2022 har varit ett katastrofalt år”

Sex chefer för danska tv-produktionsbolag vänder sig till streamingtjänsterna med en vädjan om att nå en kompromiss. Dagens låsta läge gör att inga produktioner beställs. Alls. Dagens Media publicerar här det öppna brevet, på engelska, i sin helhet.

Publicerad: 22 september 2022, 11:09

Det här är opinionsmaterial

Åsikterna som uttrycks här står skribenten/skribenterna för.

Foto: Netflix/Janne Næss/Disney Plus


Ämnen i artikeln:

ViaplayHBO MaxAmazon Prime VideoNetflixDisney PlusTV2Toppnyheter eftermiddag

Serious and long crises in the Danish film- & tv-series business 

2022 has been a disastrous year for the Danish film- & tv-series business. The worst ever. And  2023 might be even worse. From being one of the most productive and leading countries  within development and production of quality series and films to both streaming services and  broadcasters, we have now come to a full stop. 

Since January, the streaming services have not greenlit new development or production of tv  series or films, and there is no sign this will change in the coming months. 

The reason why we are in this situation is, that the parties, with Create Denmark on the one  hand, and the streaming services (Netflix, Viaplay, TV 2, HBO Max, Disney+, Amazon Prime  a.o.) on the other side are unable to agree on a rights agreement that set terms and scope of  payment for the transfer of rights from the creative talent.  

The Danish Producers Association, supported by the largest producers, worked with Create  Denmark to agree on a framework agreement for more than five years. The negotiations were  prolonged and complicated. At the end of 2021 a deal was finally struck. A deal which we,  from the producer side, saw as the art of the possible, but knew was extremely expensive for  the streaming services. The agreement was rejected by all streaming services and has now  been formally terminated by both sides. 

That we now, nine months into the year still have no solution is not just a financial disaster,  but also an irresponsible behaviour towards the Danish film industry as a whole. The positive  momentum from before the conflict has been lost. 

The misfortune does not only touch producers, but also crews and suppliers, as well as the  creatives; script writers, directors, actors, directors of photography, production designers and  editors - whose interests are handled by Create Denmark. 

Netflix, TV 2, Viaplay, HBO Max and other streamers contribute with a turnover in the Danish  market of DKK 1 bill. In a ”normal” year. The end of 2022 is approaching and the turnover we  lose this year and in the coming years due to this conflict is of course lost. Not just for producers, but also for the crews, suppliers, and creatives in the industry. 

Best case is that it will take years to regain that momentum from the day a solution is in place.  The total loss will therefore as a minimum reach DKK 1-1,5 bill., which are lost to the industry.  

A loss of income of that magnitude will result in bankrupcies, firings, unemployment and a  film industry that is knocked back several years. From full steam ahead, a high demand for  labour and positive, upwards trends to a full stop. 

Why – what’s at stake? 

Create Denmark has demanded the introduction of principles that do not exist anywhere else  in the world, and which the streaming services will not accept. In addition, there is the question of payment level – not a choice between ”a little” and ”a bit more”, but between ”a lot”  and ”even more”. 

But now we need compromises. So we can move on, and recover. 

As producers, we have no vested financial interests in the agreements that need to be negotiated between Create Denmark and the streaming services, as we are not parties to the  agreements. Our only wish is therefore that agreements are reached which are financially balanced and sustainable for both the creatives and the streaming services. Without agreements,  no production. No production, no jobs. No jobs, no rights payments. 

Danish content is expensive. The rights payments that have been agreed to historically were  also expensive, compared to other countries, and already reflected good terms for the creatives, the rights holders. 

The streaming services have other options. Not TV2, as they have a legal obligation to order  Danish content. All other streamers can invest in content from other countries which is less  expensive or where the terms are not contradictory to the streamer business models. 

No other countries are in the same situation, that we are in in Denmark. 

All other places have working agreements and terms. It is possible to reach agreements that  the rights holders are happy with -as we can see in neighbouring Sweden, where the union  Scen & Film recently has expanded a previously agreed to, and thus well tested, rights agreement covering tv series to also cover feature films. 

The long-term consequences, if this situation continues, may be more serious than any of us  wish to see. A decimation of half of the industry is not unrealistic. And this at a time, where  we, together, were growing more than ever. The damage is done. The consequences are already bad enough, and we have not even seen their full extent yet. 

We sincerely wish to encourage all parties to negotiate with a will to compromise, so deals  can be made. And it is urgent. It must happen now, in order to limit the damages, so we can, once again, produce Danish quality content. 

On behalf of: 

Peter Bose, CEO, Miso Film
Meta Louise Foldager Sørensen, CEO, SAM Productions
Lars Hermann, Partner & COO, Apple Tree Productions
Katrine Vogelsang, CEO, Nordisk Film Production
Lars Bjørn Hansen, Country Manager, SF Studios
Christian Potalivo, Producer & CEO, Tall & Small

 

Det här är opinionsmaterial

Åsikterna som uttrycks här står skribenten/skribenterna för.

Dela artikeln:

Dagens Medias nyhetsbrev

Välj nyhetsbrev